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Revelation 1:8
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| 1. At the Coming of the Lord | Charles E. Smith | |
| This song and Forever and Ever came from worship meetings on Thursday nights in our home. They would not have been written wihtout the participation of our friends. | ||
| 2. Listen to the Wind | Charles E. Smith | |
| Listen to the Wind and You Are At the Door were composed at home in a private time of worship. | ||
| 3. You Are At the Door | Charles E. Smith | |
| 4. In the Deepest Silence | Charles E. Smith | |
| This was originally written for a play, but God had other plans for it. The lyrics are based in scripture found in Psalm 10. | ||
| 5. Coloring Book | Charles E. Smith | |
| This song was started almost 30 years ago, and was finally finished last year. | ||
| 6. Forever and Ever | Charles E. Smith | |
| 7. I Am Eternal | Charles E. Smith | |
| The music and lyrics for this song were given to me in a dream. In this dream, I seemed to be floating, and I could see a CD spinning, playing the music you now hear. I thought to myself, "This is beautiful music. I will have to play that CD when I wake up." As I began to awaken I realized I didn't own the CD and that the Holy Spirit was giving me this song on the spot. I got up, went straight to the piano and wrote it down. | ||
| 8. Daybreak | Traditional | |
| Daybreak was written at the Oregon coast one morning during a time of prayer. | ||
| 9. Littleton Lament | Charles E. Smith (Instrumental) | |
| As the name suggests, this song came to me after the death of the young people at Columbine High School in Littleton, Colorado. | ||
| All arrangements and instrumentals: Charles E. Smith | ||
| Female vocals: Mary Smith | ||
| Male vocals: Charles E. Smith | ||
| Engineering: Charles E. Smith | ||
| Recording assistance: Michael Valentine |
All music is Copyright (c) 1999 Charles Ellsworth Smith, all rights reserved.
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